Regardes
Le monde est dans nos yeux
Un monde d'amour
Sans frontieres
Un monde pour toi et moi
J't'y perds

Look

The world is in our eyes

A world of love

Without frontiers

A world for you and me

I'm losing you in there

ANNOUNCER:
LADY'S AND GENTLEMEN, THE JIMI HENDRIX EXPERIENCE.

JIMI:
I SEE THAT WE MEET AGAIN HMMM. YEAH WELL, WELL, WELL. DIG,
DIG, I'D LIKE TO GET SOMETHING STRAIT, WE UMMM WE GOT TIRED
OF THE EXPERIENCE, AND EVERY ONCE IN A WHILE WE'RE BLOWING
OUR MINDS TOO MUCH, SO WE DECIDED TO CHANGE EVERYTHING AROUND.
AND A CALL IT 'GYPSY SONS AND RIANBOWS' FOR SHORT NOTHIN' BUT
A BAND OF GYPSIES. WE HAVE BILLY COX PLAYIN' BASS, AND UM FROM
NASHVILLE TENNESSEE WE HAVE LARY LEE PLAYIN' GUITAR OVER THERE,THE OTHER ME.
WE GOT JUMA PLAYIN' CONGOS OVER THERE, JUMA, AND WE HAVE HEART,ERR UH GRANNY
GOOSE, OH I'M SORRY MITCH MITCHELL ON DRUMS OVER THERE, AND WE
GOT JERRY VELEZ ON CONGOS TOO. YOU GOT YOURS TRULY ON LEAD WHISTLE,
WHAT ME WORRY? GIVES US ABOUT A MINUTE AND A HALF TO TUNE UP OK.
LIKE WE ONLY HAD ABOUT TWO REHEARSALS SO A WE'LL ONLY DO A PRIMARY
RHYTHM THING. (SOMEONE IN THE BACKGROUND=JIMI ARE YOU HIGH? I AM HIGH THANK
YOU
I AM HIGH THANK YOU, BABY.

(Wyclef responding to an overlord voice)

THE YEAR
Two-thousand and seventeen master!
THE MAN
Every two-thousand years a prophecy is prophesized
THE MISSION
To carry out the word of the shephard into this cold world
that just keeps folding
THE GROUP
I don't know...
WHO IS THE GROUP
Tran...Tranzlators!!

(Lauryn Hill)

What can make a mighty man run?
Make him drop his pride and hide?
Too black, too strong... WRONG
Spook Sambo Nigga Jane
You ain't so bad, nor big
White sheets make you sad
Fraid you're gonna hang, ahhh
Now THAT'S a black thang
Boy, you scared of me
BOO! See
Hide nigga hide, flee nigga flee run nigga run
If I got my hood, my cross, my tree my gun
My rope
And it's a long one

[Summary of the Plot]

At the beginning of the play, we look upon Macbeth as a shining hero. On behalf of his king, Duncan, he has just defeated the traitor Macdonwald, quelling high treason and subversion, safeguarding the rule of the king, so Scotland can look forward to a new era of peace. On their way from the battlefield the commanders Macbeth and Banquo meet three witches, who foretell the warriors promising prophecies: To Macbeth they predict the Thanehood of Glamis and of Cawdor - and eventually even the crown of Scotland, to Banquo, oil the other hand, that he would be father of a line of Kings.
Macbeth is already the Thane of Glamis, and out of gratitude the king soon bestows the Thanehood of Cawdor upon him. So the fulfilment of the last prediction seems to be close at hand. Only King Duncan himself stands in the way of Macbcth's aroused ambitions. It seems like a stroke of fate when the grateful king arrives as a guest at the castle of the Thane of Glamis and Cawdor to express his profound gratitude to this outstanding warrior. Unlike Macbeth, who feels covetous but hesitant, his wife is prepared to act. She spurs on her husband, encouraging him to seize this supposed opportunity of fate like a man. Macbeth stabs the defenceless king in his sleep, and with the help of his wife he succeeds in casting suspicion upon the king's guards. Rut while the majority of the Scottish noblemen do not dare to question his story, Malcolm, the king's son, escapes to England with a number of faithful followers. Among them is Macduff, next to Macbeth one of Scotland's most influential Thanes.
Macbeth, the king's murderer, is crowned King of Scotland soon afterwards but the fruits from his deed taste sour. Macbeth can neither enjoy his status nor his power as the ruling king for even a single moment. Worry and anxiety are casting dark shadows on his life. .After all, as the witches have predicted, Banquo would be the forefathers of a new line of kings - for the childless Macbeth a source of constant threat and fear. Before long, he hires assassins to kill Banquo, the supposed father of kings and only other person who knows about the witches' prophecies. But the admonishing ghost of the murdered Banquo appears in front of Macbeth's eyes at a banquet. From this point on, it becomes apparent to what extent Macbeth has already succumbed to madness and is being pursued by the ghosts of his murdered victims.
Again Macbeth seeks out the witches to ask them about his future. They assure him that no man of woman born would ever be a threat for him, yet Macbeth should beware of Macduff, whom he can only conquer through violence.
Macbeth feels encouraged by the witches' predictions and sets about "clearing up" among his supposed enemies. In his growing madness, he turns from a murderer into a tyrant, and the whole country moans and suffers under the strokes of his raging terror. Macduff, the Thane of Fife, is still in England, and since the tyrant is unable to get hold of him he resolves to destroy the castle of the alleged traitor, giving his wife, children and servants to the sword.
But while Macbeth seeks safety in destruction and bloodshed, his lady's strength of mind begins to falter; walking in her sleep, she constantly tries to wash invisible blood from her hands - the blood of the murdered King Duncan. Lady Macbeth dies finally as a victim of her own madness, of her feelings of guilt. The tyrant himself suffers from increasing madness and deep depressions so much so that he can hardly mourn the death of his wife. He begins to realise that all his efforts and killings will neither bring him happiness nor satisfaction. Yet, on the strength of the witches' predictions, he still believes himself deceptively safe, drawing from them the strength to prepare for the impending battle. Under the leadership of Duncan's son Malcolm and Macduff, the English and many Scots have united and arc marching on Macbeth's seat, Dunsinane, with a powerful army. Faced with these superior troops the tyrant's men flee from him, until he finally finds himself alone. Still being convinced of his own invincibility Macbeth awaits the onslaught of the enemy troops. Caught in a deadly combat with Macduff, Macbeth finds out that his opponent was cut from his mother's womb and was therefore not born by a woman. Only then he realises that he has fallen victim to the witches' prank. Realising the full extent of his delusion, he comes to his senses and understands that his own death is imminent. Yet he does not attempt to flee but faces the battle with Macduff and is finally slain.

Let the Story begin...

[Narrator:]
As we know man does not walk the earth alone
but is surrounded by strange creatures and spirits.
Some of these may sometimes try to lure man into their own influence...
for their own entertainment...
and to steal away the most precious gem dwelling in each of us... our soul.
Man may choose the path he follows, but its direction may at times:
not be what it seems...
This tale is about one of the most valiant heroes that ever walked the Scottish soil.
It tells his glorious deeds, his hopes, his ambitions, his rise...
and his fall... yet it does not start with its protagonist... rather with its demons...

[First Witch:] When shall we three meet again, in thunder lightning or in rain
[Second Witch:] When the Hurlyburly 's done, when the battles lost and won
[Third witch:] That will be ere the set of sun
[First Witch:] Where the place?
[Second Witch:] Upon the heath.
[Third Witch:] There to meet with Macbeth

Regardes
Le monde est dans nos yeux
Un monde d'amour
Sans frontieres
Un monde pour toi et moi
J't'y perds

Look

The world is in our eyes

A world of love

Without frontiers

A world for you and me

I'm losing you in there

Open your eyes and stretch your hands
This house is clean but it is not my home
Did I make this bed
The two hands touch on two

Sometimes I think of some place colder
The sound of traffic and the way it's worn
When you feel yourself grow up inside of here

And you love me just like a stranger
But you love me just like I am

Remember we ran through lovely streets
We made our rules and then we broke them first
It felt like we were running all the time
When I wouldn't give one ugly moment
I'd wrap it up, I'd keep it in my sock
I can keep it, yeah, I know what's yours is mine

And you love me just like a stranger
But you love me when

I stand to the sea (?), lets me love some other day
We get bored of weakness all the time
Now I won't know how much I lost until I've gone away
Your sun sets when my sun starts to shine

Hey there everybody!
Please don't romp or roam.
We're a little nervous
'Cause we're so far from home.
So this is what we do,
Sit back and let us groove
And let us work on you.
(Oh, yeah, yeah yeah, mmm, mmm)

We've all spent years preparing
Before this group was born.
With heaven's help it blended
And we do thank the Lord.
If you know just what we do
Sit back and let us groove
And let us play for you.

[Instrumental Interlude]

Now we put you through the changes
And turned around the mood,
We hope it struck you different
And hope you feel moved.
So forget about your troubles
As we search for something new
And we play on you.

A destiny, a life, decided by our choices
Picking the right car or changing gender
Either good or bad the causes will be there
Effects of that may be permanent
The consequences you will face

Each character in the tale is going to be represented by a
different instrument of the orchestra. For instance, the bird will
be played by the flute. (Like this.) Here's the duck, played by
the oboe. The cat by the clarinet. The bassoon will represent
grandfather. The wolf by the French horns. And Peter by the
strings. The blast of the hunters' shotguns played by the kettle
drums.

Are you sitting comfortably? Then I shall begin.

Each character in the tale is going to be represented by a
different instrument of the orchestra. For instance, the bird will
be played by the flute. (Like this.) Here's the duck, played by
the oboe. The cat by the clarinet. The bassoon will represent
grandfather. The wolf by the French horns. And Peter by the
strings. The blast of the hunters' shotguns played by the kettle
drums.

Are you sitting comfortably? Then I shall begin.

[LSK]
No roots, no tree, no family, no way,
No roots, no tree, no family, no way.

Je rap x6
OK, imagine le monde et ses milliard d'habitants tu le vois ?
OK, zoome un peut et regarde tous les continents tous
Maintenant imagine Chypre , et traverse la méditerranée
T'arrives en France, tu la vois la France?
Ben dans la France imagine tout les départements tous tout les départements
Mais t'en prend qu'un le 91 l'Essonne
Dans l'Essonne imagine une petite zone pavillonnaire
Juste à coté des Ulysses, dans cette zone pavillonnaire
Imagine un petit pavre tranquille dans ce petit pavre zoome encore
Et tu vois ya une petite chambre une petite chambre d'adolescente
Tranquil, dans cette petite chambre au début des année 90
Imagine juste une petite meuf qui attendais plus rien dla vie
Mais qui écoutait NTM

The record that you made,
That's underground Hip-Hop
Wi...with, with big sound
What, with big, with big sound
Thats what takes it over, cuz the sound is so big
(It's an underground) That's an underground Hip-Hop record
The richness of the music and everything
I know is gonna be somet'n serious

...spotkało się z szerokim rozgłosem

Ladies and gentlemen, we proudly present a picturesque score of passing fantasy.

====================================================================================

[Excerpt of The Ed Sullivan Show on the giant screens.]

Ed Sullivan:
From Gary, Indiana, here's the youthful Jackson 5,
opening with a medley of their hits that have sold over a million,
each excerpt."

[Excerpt from the "I Want You Back" TV performance.]

Michael:
Hey, hey, hey! Who's showing this film? Hey, stop! Stop! Stop!
Stop! Stop! Hey, hey, hey, hey, hey! Hey! Stop the film, please.
The next song we're gonna do is something from the new album,
the Triumph album.

Randy:
I never can say goodbye... No, no, no, no, I...

Michael:
Randy, what are you doing?

Randy:
That's all, Mike.

Michael:
The next song we're gonna do is something from the new album.

Randy:
There's another. No, no, hold on, hold on.
Got to be there, got to be there in the morning, when she says hello...
Remember that one?

Michael:
Randy, why are you singing this old stuff?

Randy:
Why?

Michael:
We're supposed to do some of the new songs in this show.

Jackie:
Come on, Mike. Mike, the people...

Tito:
They wanna hear "I Want You Back", "ABC", "The Love You Save",
"Dancing Machine", "Daddy's Home", "Sugar Daddy".
Do you wanna hear the old stuff? How about "I'll Be There"?

Randy:
See Mike?

Marlon:
Do you wanna hear the old stuff?

Tito:
You wanna hear the old stuff?

Marlon:
Do you wanna hear it?

Michael:
Let me say one thing. I wanna say one thing.

Marlon:
Yeah, what do you wanna say? Say it.

Michael:
I wanna say one thing.

Marlon:
What?

Michael:
Number one, I don't wanna do the old stuff 'cause it's old, okay.
Number two, the choreography is old. The costumes we wore back then are old.
I wanna do some of the new stuff.

Marlon:
Come on, Michael, they don't care about that stuff.
Do you care about that? Tell him, do you care? Do you care?
They don't care about that, Mike. They don't care!

Michael:
OK, I'll tell you what...

Marlon:
What, what, what?

Michael:
I'll do the old stuff for you, okay. I'll do it for you.
Wait, wait, wait, wait, I'm doing it for you. I'm not doing it for them,
I'm doing it for you.

Tito:
Thanks a lot.

Marlon:
Yeah, thank you.

Tito:
It's real nice...

Michael:
But if we do the old stuff, you have to do my favorite medley.

Randy:
What's your favorite medley? Tell me, I wanna know.

Michael:
You'll see...

Randy:
All right!

ANNOUNCER:
LADY'S AND GENTLEMEN, THE JIMI HENDRIX EXPERIENCE.

JIMI:
I SEE THAT WE MEET AGAIN HMMM. YEAH WELL, WELL, WELL. DIG,
DIG, I'D LIKE TO GET SOMETHING STRAIT, WE UMMM WE GOT TIRED
OF THE EXPERIENCE, AND EVERY ONCE IN A WHILE WE'RE BLOWING
OUR MINDS TOO MUCH, SO WE DECIDED TO CHANGE EVERYTHING AROUND.
AND A CALL IT 'GYPSY SONS AND RIANBOWS' FOR SHORT NOTHIN' BUT
A BAND OF GYPSIES. WE HAVE BILLY COX PLAYIN' BASS, AND UM FROM
NASHVILLE TENNESSEE WE HAVE LARY LEE PLAYIN' GUITAR OVER THERE,THE OTHER ME.
WE GOT JUMA PLAYIN' CONGOS OVER THERE, JUMA, AND WE HAVE HEART,ERR UH GRANNY
GOOSE, OH I'M SORRY MITCH MITCHELL ON DRUMS OVER THERE, AND WE
GOT JERRY VELEZ ON CONGOS TOO. YOU GOT YOURS TRULY ON LEAD WHISTLE,
WHAT ME WORRY? GIVES US ABOUT A MINUTE AND A HALF TO TUNE UP OK.
LIKE WE ONLY HAD ABOUT TWO REHEARSALS SO A WE'LL ONLY DO A PRIMARY
RHYTHM THING. (SOMEONE IN THE BACKGROUND=JIMI ARE YOU HIGH? I AM HIGH THANK
YOU
I AM HIGH THANK YOU, BABY.