Part Two

by Michael W. Smith

I hope that I can seem flawless to you
And always take away the pain that you'll go through
My impression is not always what it seems
You're more of a reflection of what I used to be
So why do I feel hollow when I look at your photograph?
You take down my fortress and kill me with a smile
Please hold that thought a while
And I'll try to put you on this path
I hope you find the road I couldn't see
You won't be by yourself
I'll live for your problems and think of you when I'm gone
Don't worry now it won't be long
Once I was you I thought the world was safe
A new perspective; everybody is insane
Protecting you is a paranoid excuse
I know that you'll do better than I could ever do
And thoughts of self-destruction
Are now all buried in the past
You take down my barricade and melt away my heart
If loving hurts so much I want this pain to always last
I hope you pass the test that I have failed
-
.. Espero que me puede parecer perfecto para usted
Y siempre quitar el dolor que usted va a ir a través de
Mi impresión no es siempre lo que parece
Eres más de una reflexión de lo que solía ser
... Entonces, ¿por qué me siento vacío cuando miro su fotografía?
Se toma por mi fortaleza y matar a mí con una sonrisa
Por favor espere que el pensamiento de un tiempo
Y voy a tratar de poner en este camino
Espero que el camino no podía ver
Usted no va a estar solo
Voy a vivir para sus problemas y pienso en ti cuando me haya ido
No te preocupes ahora no pasará mucho tiempo
Una vez que usted se pensaba que el mundo estaba a salvo
Una nueva perspectiva, todo el mundo está loco
La protección de que es una excusa paranoica
Sé que lo harás mejor que yo jamás podría hacer
... Y los pensamientos de autodestrucción
Si ahora todos los enterrados en el pasado
Se toma por mi barricada y se derriten mi corazón
Si amar duele tanto que quiero este dolor que siempre duran
Espero que pass la prueba que he fallado
Usted no va a estar solo
Voy a vivir para sus problemas y pienso en ti cuando me haya ido
No te preocupes ahora no pasará mucho tiempo
Yo le pedimos disculpas por las palabras que no se habla aún
No quiero mirar hacia atrás y vivir en el lamento
Algún día me vas a preguntar por qué yo no estaba ...
You won't be by yourself
I'll live for your problems and think of you when I'm gone
Don't worry now it won't be long
I apologize to you for the words not spoken yet
Don't want you to look back and live in regret
Some day you'll ask me why I was away
Hollywood never fails to make a sequel
For each and every movie that does well
Why can't love be more like that
Where the best ones get a second chance
And that way though you're gone
It wouldn't be that long ('til)
I'd see you in part two
And we'd pick up where we left off
When I lost you
And we'd fall in love again
And change the way the story ends
Yeah, we'd bring back me and you
In part two
Lookin' back we had so much to look forward to
The kind of love that deserves to be continued
And if this were only Tinseltown
By now they would have figured out
A way for you and I
To give it one more try (and)
I'd see you in part two
And we'd pick up where we left off
When I lost you
And we'd fall in love again
And change the way the story ends
Yeah, we'd bring back me and you
In part two
Yeah, we'd fall in love again
And change the way the story ends
Yeah, we'd bring back me and you
In part two

Part two

by Tego Calderon

Very Distraughtening
[includes a fragment of Ronnie Sings? and a quote from Merry-Go-Round (Fischer)]
Ronnie Williams: Ba-bah-bahdily
Spider: Oh!
John: That one again.
Spider: It's a little pig . . . with wings
Pig With Wings: EE . . .
Gross Man: I hear you've been having trouble with pigs and ponies!
Left channel:
Calvin: To . . . just the opposite . . . going around to the other direction
Right channel:
Calvin: How 'bout us, don't we get any?
Gail: We don't get any . . .
Calvin: That's very distraughtening
Gail: We don't get any because we're otherwise
Spider: Everything in the universe is . . . is . . . is made of one element, which is a note, a single note. Atoms are really vibrations, you know, which are extensions of THE BIG NOTE, everything's one note. Everything, even the ponies. The note, however, is the ultimate power, but see, the pigs don't know that, the ponies don't know that.
Monica: You mean just we know that?
Spider: Right!
Spider: Merry Go Round! Merry Go Round! Do-Do-Do-Do Do-Do-Do Do-Do-Do! and they called that doing their thing.
John: Oh yeah, that's what doing your thing is!
Spider: The thing is to put a motor in yourself.
White Ugliness
Louis: Grrr . . . Arf arf arf ar-ar-ar-ar-ar! Teeth out there, and ready to attack 'em. . . I had to fight back and hit 'em, like . . . you know . . . hit 'em and hit 'em and hit 'em, and . . . kick 'em and kick 'em and . . .
Roy: Did they get on top of you?
Louis: No, I fought so back, hard back, and, it was . . .
Roy: Hard back?
Louis: White!
Roy: White?
Louis: Yeah, white ugliness
Roy: Did it have teeth?
Louis: And it was two, it was two boogey-men along the side of, we were . . . already blocked in, so I had to . . . I had to kick, I had to fight to f-four or five boogey-men in front of me . . .
Roy: Then . . . but maybe he can turn into . . . I wonder if he could maybe be [...]
Motorhead: PFFFT!
Louis: Yes, [...] vicious
Roy: I don't know, those po- . . . I heard those ponies are really vicious!
Louis: I know . . . but, I know they're vicious, but they . . .
Roy: Their claws!
Louis: He d-d . . . he doesn't have to be able to do it
Roy: They get on top of you, and they just tear you apart
Louis: I know . . .
Roy: Tee . . .
Louis: Scars over here, see, scars right here. Yeah . . .
Roy: Teeth to limb! Teeth to limb! I mean, toe to ta- . . . man, I hope they don't get him
Louis: Ponies! I-i-if-if, if . . . is . . .
Roy: Was it white? Are you sure it wasn't w-white, I mean, uh, black, or . . .
Louis: Well, I think they're white, but I was too scared to notice their physical . . .
Roy: Gold or something?
Louis: I was too, I was too scared to no . . . n-no . . . uh-no . . . uh-notice their physical, ahh . . . appearance, 'cause they . . . they-they were attackin' me!
Roy: They were?
Louis: Yeah, they were . . . they were attackin' me!
Roy: What were they doin' to you?
Louis: Well, they were . . . they were like, they were . . . comin' and surroundin' me 'n everything else, and they were attackin' me and I had to fight back, fight, fight and fight back and . . . pick up sticks . . .
Roy: Pick-up-sticks?
Louis: Yes, pick up sticks, you know?
Roy: I used to play that game, Pick-up-sticks
Louis: Me too, did you ever play that game?
Roy: Yeah!
Louis: Yes! That's funny! HA HA HA!
Anyway, come back to the horse . . . back to the horse? To the pony
Louis: HA HA HA HA! Now . . .
Roy: Anyway . . .
Louis: Yes, pony, or . . .
Roy: President . . .
Louis: Or pope, I dunno, ah, I dunno . . .
Roy: I don't know . . .
Louis: Something down there is dangerous.
Roy: Could be a cigar or somethin'
Louis: Yeah . . .
Roy: A cigar?
Louis: A cigar? Naw, you're insane, come on!
Roy: Nohhh, no . . . I remember when I was a . . . no I don't remember. Those were the days!
Louis: Boy, you must spend all your life down here!
Roy: That was before the days of those horses
Louis: Yes, before the days of the . . . all the . . . ow-uh . . . ponies or boogey-men or somethin', what's out there
Roy: But then there was a . . . what was it there? No pimples?
Louis: No, positive
Roy: Sure!
Louis: Positively
Roy: You had to have 'em.
Louis: Naw, naw . . .
Roy: You've got one right in your nose right now!
Louis: HA HA HA HA! Scrtch-ch-ch! Scratchin' them . . .
Roy: Boy, I'm gettin' tired, man. We should go . . .
Louis: Oh, yes . . .
Roy: We should go to sleep
Louis: Oh, yeah . . .
Roy: I just hope he comes back . . .
Louis: Yes . . . Listen!
Roy: I think I'll pray for him
Louis: I think I'll join you
Roy: You do yours and I'll do mine . . .
Louis: Okay . . . HA HA HA HA!
Roy: And we'll hope for the best. HEH HEH HEH!
Louis: HA HA HA HA HA! God, God bless Motorhead
Roy: Now I lay me down to sleep . . .
Amen
Roy: Amen!
Louis: Amen . . .
Just One More Time
Don Vliet:
Oh yeah!
That's just fine!
Come on boys!
Just one more time!
Spider: I think I can explain about . . . about how the pigs' music works
Monica: Well, this should be interesting
Spider: Remember that they make music with a very dense light, and remember about the smoke standing still and how they . . . they really get uptight when you try to move the smoke, right?
Monica: Right
John: Yeah?
Spider: I think the music in that dense light is probably what makes the smoke stand still. Any sort of motion has this effect on . . . on the ponies' manes. You know, the thing on their neck
John: Hmm . . .
Spider: As soon as the pony's mane starts to get good in the back any sort of mo . . . motion, especially of smoke or gas, begins to make the ends split.
John: That's the basis of all their nationalism. Like if they can't salute the smoke every morning when they get up . . .
Spider: Yeah, it's a vicious circle. You got it.
A Vicious Circle
Pony!
King Kong
Drums Are Too Noisy
Larry: Drums are too noisy, 'n you've got no corners to hide in!
John: So when she's beating him over the nose with a tire iron. and then we both jump away and disappear, and the pig will turn around and there'll be this pony
Kangaroos
Spider: Oh no, man . . .
Monica: Oh . . .
Spider & Monica: Kangaroos!
Monica: And then they eat it when they get home
John: If it's still alive
Spider: Envelops the bath tub
Envelops The Bath Tub
Calvin: 'Cause round things are . . . are boring . . . hhh . . .
Take Your Clothes Off When You Dance
There will come a time when everybody
Who is lonely will be free . . .
TO SING & DANCE & LOVE
There will come a time when every evil
That we know will be an evil . . .
THAT WE CAN RISE ABOVE
Who cares if hair is long or short
Or sprayed or partly grayed . . .
WE KNOW THAT HAIR AIN'T WHERE IT'S AT
(there will come a time when you won't even be ashamed if you are fat!)
WAH WAH-WAH WAH
La la la la la la la la la la la la la la la la
La la la la la la la la (a-a-ah!)
La la la la la la la la la la la la la la la la
La la la la la la la la (oo-wee-ooh!)
Diddle-diddle-dee
(Diddle-diddle-dee)
Diddle-diddle-dee
(Diddle-diddle-dee)
Diddle-diddle-dee
(Diddle-diddle-dee)
Diddle-diddle-dee
(Diddle-diddle-dee)
La la la la la la la la la la la la
La la la la la
WAH WAH-WAH WAH
There will come a time when everybody
Who is lonely will be free . . .
TO SING & DANCE & LOVE (dance and love)
There will come a time when every evil
That we know will be an evil . . .
THAT WE CAN RISE ABOVE (rise above)
Who cares if you're so poor you can't afford
To buy a pair of Mod A Go-Go stretch-elastic pants . . .
THERE WILL COME A TIME WHEN YOU CAN EVEN
TAKE YOUR CLOTHES OFF WHEN YOU DANCE

Part Two

by BON JOVI

Hollywood never fails to make a sequel
For each and every movie that does well
Why can't love be more like that
Where the best ones get a second chance
And that way though you're gone
It wouldn't be that long ('til)
I'd see you in part two
And we'd pick up where we left off
When I lost you
And we'd fall in love again
And change the way the story ends
Yeah, we'd bring back me and you
In part two
Lookin' back we had so much to look forward to
The kind of love that deserves to be continued
And if this were only Tinseltown
By now they would have figured out
A way for you and I
To give it one more try (and)
I'd see you in part two
And we'd pick up where we left off
When I lost you
And we'd fall in love again
And change the way the story ends
Yeah, we'd bring back me and you
In part two
Yeah, we'd fall in love again
And change the way the story ends
Yeah, we'd bring back me and you
In part two